Sunday, 26 July 2015

S T O R I E S   i n   T E X T I L E
 by Divya Agrawal

Intense, evocative, symbolic are a few expressions that aptly describe the work of the textile artists we are featuring today : Maria Eugenia Davila & Eduardo Portillo, and, Anne Woringer.

 Some textiles are story tellers. They carry stories of the hands that made them, of cultures and places. 

Historically, all the great civilizations have had rich textile traditions. Cotton, linen, wool and varieties created using papyrus, reed etc go far back to the ancient period.  Indigo dyeing, Batik, Block print and other surface techniques have added a rich palette of color and pattern to plain fabric since long. 

In the contemporary world, textiles have been the base of experimentation for many artists. Our featured artists have pushed boundaries and created artworks on textiles that can be, at the least, be called stunning.


Maria Eugenia Davila & Eduardo Portillo's textile art interprets their interest in people, cultures and environment. Merged with their interest in materials and processes, the duo express their experiences through weaves. 

The duo  live and work in Mérida, in the Venezuelan Andes. With titles like "the afternoon sun" and "dawn", these woven masterpieces transport one to the horizon, to be immersed in the beauty of a blazing summer afternoon or embrace the dark with a fading sky. 

A closer look at their work (below) reveals plant fiber interwoven with silk/ cotton. Indigo dyed yarn contrasts beautifully with gold. Note the different shades of blue that the duo have achieved in Indigo dye giving them a much wider palette of color to work with. 

"....We also work with local materials, such as cotton and alpaca from Peru and Bolivia, fiber from the moriche and chiqui-chique palm trees of the Orinoco River Delta and Amazon region, as well as dyes from the indigo plant. For us color is crucial. Our interest in color starts at its very foundations: how it is obtained, where it is found in nature, in objects, in people..."Maria Eugenia Davila & Eduardo Portillo

Images : Left: 'En la Noche'   , Right : 'Nubes'/Clouds, Bottom: Detail from 'Nocturno'

Their passion for their art has taken Maria & Eduardo to China to study sericulture when they decided to work with silk; to India and the Amazon, to discover Indigo. In Venezuela, they now cultivate their own silk and Indigo plants. What an interesting approach to Art, right from sourcing to weaving! And, a pioneering one - working with plant fibers and metal to give another dimension to fabric.

Anne Woringer also tells stories through her patchworks and embroideries. Some of her work is reminiscent of architectural maps - a medley of labyrinths and organic forms.

An amazing aspect of her art is Anne's ability to visualize complex end forms and work piece by piece towards creating them using fairly challenging techniques, like in the patchwork pieces below.  

These works simply reinforce my belief that the human mind is naturally gifted to push its boundaries, to explore further than what has already been...and that Art is a celebration of life!

All images: Courtesy the featured Artists

Text & creative layout copyrights: On the Design Boat   
"Like" our facebook page & stay connected with On the Design Boat

Saturday, 25 July 2015

Snippet * 21    W i n d o w   t o   m y  W o r l d  # 2

 By Divya Agrawal

A peek into my current work - a series of postcard drawings titled "Postcard Musings'

 More on view at: Divya's Art Diary

Thursday, 9 July 2015

D E S I G N   D I A L O G U E S - I

We at OTDB have been featuring works of designers and entrepreneurs on our blog. To take this association a step further, we are starting a new column - 'Design Dialogues'. This is a platform through which we bring you up close and personal with Designers. 
Our aim is to introduce design ideologies, what shapes them and how they influence design thoughts. We also hope that such interactions will inspire the reader to give wings to dreams long forgotten...

J A P N E E T   K E I T H,  R E D  M U G
in conversation with Hina Nitesh

'Pottery is a LANGUAGE.
A language that you not only speak with the material but one you take yourself through a journey with. As you learn to be with clay there is a bit of magic in that interaction.'

So says Japneet Keith, the lady behind Chandigarh- based ceramic design studio, RED MUG. I stumbled upon her accidentally while researching for the blog. Trained as an industrial designer at National Institute of Design, she took her love for ceramic and glass to the next level by setting by RED MUG. Lets get to know her, her studio and her works...

On becoming a potter

During my graduation days I was a student of sculpture. Ceramic and glass were my specialization materials at NID. I always had a vision to have my own studio. After working with ADIPA, Pune  I knew for sure I had to be back in Chandigarh and have a set up there.

Being on your own brings with it a certain set of challenges; the prime one being sustenance. I started as a glass designer. It was around 2007 that the market was being stocked with Chinese glass platters which were being sold for as less as Rs 200. I had no way to sustain the studio and thus ceramics gradually entered into my working. 

It is not only pottery that attracted me it was the joy to work with ceramics. The material is much more technical and challenging especially while one is trying to establish a studio. So while I worked with ceramics doing tiles… I gifted myself a pottery wheel from the money I earned from a workshop. And soon I was building my studio in bits and pieces from income generated through the work I did at the studio. 

“Customise” for the joy/need of others/clients  was always my intention. With people asking what they desired the gradual inflow of people to learn pottery increased. That’s how I realized my passion with clay.

On working with clay

Not only while I work on the pottery wheel but the moment I start kneading clay I know what is the inert desire of the material. Sometimes its slab work and sometimes its coiling. When my hearts  had had enough of imprints on clay I switch to the pottery wheel which helps me make bowls to jars to utility ware - customizing some of my thoughts.

Pottery is a language that builds within you a certain connection. And perhaps I have been unfolding its essence while designing, creating, throwing, glazing, doing the kilns and finally placing a product that someone finds a connection to.

On setting up RED MUG

RED MUG  came about being in 2012 when my husband asked me to create a brand name. I started the studio in 2007 after NID, but I worked as an independent designer- perhaps the all in one employee. As an industrial designer I always believed in team work. The inter-dependence among a team is something that I value the most. RED MUG came into being as a space where each one prospers, where the passion for design and material is not only through me but is a connection through various resources pooled in together. 

My studio is open to people from any field or any part of the world who shares the same passion for clay. Recently I had Gary Hambleton from W.Australia for almost 4 months who did some amazing porcelain products at the studio. RED MUG is an extension of my feelings to share and nurture in a very conscious manner.

On the design process

There is a thought and that thought is put through numerous visualization. Some are rendered in my mind and some are rendered while I sketch or do my doodles. I am also reminded of what my faculty at NID. Ms Neelima Hasija used to say. As any student I was struggling through the transition from an artist to a designer. She said, “ Today this design process feels like a task…. tomorrow it will be a part of you and your design thinking. Go watch a movie or have a tea and then get back to writing the design brief” 

So while I work with clay I do let the material do its own creative work with my fingers but at the same time the Being in me is in constant conversation to achieve that refined form that my senses appreciate and my client needs.

On what inspires her

The earth inspires me the most. My connection to – The Earth. And through that it comes to the various textures I find in my environment. From the deep veins on a frangipani leaf to the form of lotus.

My latest work  Dhvani is art through a narrative where the artist and the observer are bound together within the magic of a story. When we set out to create a new kind of art which captures the vibrancy of India, we turned to the most elemental substance, terracotta- the sacred mud formed from all five elements - earth, water, fire, air and ether. 

In Dhvani, we wanted to arrest motion, which is life itself, and hold it so fixed that later when you, the observer, look at it, it starts moving again since it’s life. And out of this sacred mud, emerges the lotus. It has a vibrant core that opens up when connected. You have to be silent and listen closely to hear the sound of this ghungroo as the beauty here is entwined with a story. It’s silence is more musical than any song. Listen with your soul.

On balancing functionality and creativity

When a product at studio Red Mug is designed as a customised object it finds its own set of rules. For some it’s the bowl/ tea cup for everyday use with functionality and for some it’s the attraction for the glazes/ textures to go for tiles or wall pieces for being creative artifacts in their spaces.

For me the happiness and balance is when one finds the product from our studio shelves as to  what they have been looking for.

Text & creative layout copyrights: On the Design Boat   
Images copyright: Japneet Keith, RedMug

"Like" our facebook page & stay connected with On the Design Boat

Wednesday, 1 July 2015

I N D I G O    D e l i g h t s
Divya Agrawal

We are in the midst of Monsoons - four long months that spell 'Water'. This is a season of renewal.  Trees are sprouting new leaves, the dust all washed off. Puddles of water call out for some child like splashing. Hues of blue and green color nature, inviting one to marvel at this stunning transformation. 

Amongst the many variants of blue - Aquamarine, Indigo, Teal, Carmine and Celadon, Indigo holds endless fascination for me. It is a deep, mysterious color that conjures up images of the natural. Used in tapestries, garments, ceramics and more, this color lends a unique hue to create memorable objects. 

Here's an ode to this special color and Monsoon - a handpicked selection of beauties, which I'm sure will tug at your heart too!

Images: 1. Anne Woringer; 2. Yasha Butler; 3. Etsy tomoandedie; 4, 5. Etsy HonestAlchemyCo

Indigo and Madder, both natural dyes are used to a diaphanous effect in this lovely silk scarf. Anne Woringer's artwork "Crop Circles" with orange hand embroidery would be every indigo lover's delight. So would these Ceramic dishes be, reminiscent that they are of nautical forms.

Images: 6.; 7. Etsy LupenGrainne; 8. Etsy bomobob; 9. Etsy TraceyCapone

This board celebrates Indigo in nature - the Indigo mushroom Lactarius Indigo (had my kids in raptures - who ever knew about blue mushrooms!) and blueberries in snow.

Images: 10,11. Bandhani, Ajrakh; 12. Shibori apoolew2o @ Flickr; 13. Batik Etsy Dellshop

Textiles are perhaps the largest canvas for this color. Indigo dyeing has been practiced across many of the ancient civilizations with India being one of the earliest production centers. 

Bandhani, Ajrakh block printing, Batik and Shibori are some of the traditional techniques used to create unique and much in demand fabrics. I loved 'One Dark Circle' (above), a series of vertical Shibori discs.

Images: 14. Dosa; 15. Etsy WanderingNebula; 16.; 17. Etsy PapiersPrecieux

Being an admirer of Christina Kim's work, I couldn't help including this gorgeous Indigo dress from her label 'Dosa'. The kimono card (Japan also has a long tradition of Indigo dyeing) and hand dyed journey dress are lovely!

Images:Etsy (18. DavisVachon; 19. claycafe) 20. Broste Copenhagen; 21. Etsy (DatedandAntiquated; 22. Delftbluecufflinks)

The ceramic dishes (above no. 20), from Broste Copenhagen's collection 'Nordic Sea' have some unique patterns that conjure up images of frozen landscapes.

Images: All Etsy: 23. LunarBelle; 24. dyeing2meetU; 25. PoleStar; 26. InnerWolf

I am partial to natural stone jewelry - love these neck pieces incorporating agate and quartz.

Images: All Etsy: 27. katyshoestring; 28. scabbyrobot; 29. VLiving; 30. nativevermont

What an unusual Indigo hare!

Images: Works of:   31. Le Corbusier (La Tourette); 32. Carlo Scarpa (Brion Tomb)

Indigo in architecture: In the works of two great Architects, Le Corbusier & Carlos Scarpa. At La Tourette, a Priory in France, Corbusier incorporates one of my favorite palettes - Indigo, ochre and madder.

Images: 33.; Etsy: (34.  lespetitesmainsS; 35. royaldesignstencils; 36. DekDoi; 37. IndigoMoonLove )

Indigo for kids too! A gorgeous patchwork & embroidery quilt, a little doll in an Indigo dress, tribal weave boots and a tiny Shibori dress, all of which can find a place in this ochre stenciled wood cabinet :)

Images: 39.; Etsy: (38. bookBW; 40. PerroPaperCo; 41. Aloriam; 42. KONKADA)

The Ikat upholstered chair would be a center piece of any living room. The batik print cushion cover reminds me of Palampore patterns. More of Shibori, now on a greeting card..

Leaving you today on an Indigo high :)

Text & creative layout copyrights: On the Design Boat   


"Like" our facebook page & stay connected with On the Design Boat